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<title>Moser, Dennis</title>
<link>http://hdl.handle.net/11122/5299</link>
<description>Associate Professor of Library Science; Head, Alaska &amp; Polar Regions Collections &amp; Archives</description>
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<dc:date>2026-04-15T00:53:47Z</dc:date>
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<title>Understanding the Impact of the New Aesthetics and New Media Works on Future Curatorial Resource Responsibilities for Research Collections</title>
<link>http://hdl.handle.net/11122/5301</link>
<description>Understanding the Impact of the New Aesthetics and New Media Works on Future Curatorial Resource Responsibilities for Research Collections
Moser, Dennis
The author examines the emerging impact of the works of the “New Aesthetic,” along with other works that have their genesis in the rapid technological changes of the last fifty-plus years. Consideration is given to the history of digital audio/visual works that will eventually be held by repositories of cultural heritage and how this history has, or has not, been documented. These creations have developed out of an environment of networked, shared, re-usable and re-purposed data. The article briefly examines how these works are utilized while looking at the future impact of the growing creation and use of complex, compound multimedia digital re- search and cultural collections as evidenced by augmented and virtual reality environments such as smartphone apps and Second Life.
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<dc:date>2013-11-01T00:00:00Z</dc:date>
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<title>A Digital Janus: Looking Forward, Looking Back</title>
<link>http://hdl.handle.net/11122/5300</link>
<description>A Digital Janus: Looking Forward, Looking Back
Moser, Dennis; Dun, Susan
Cyberculture and cyberspace have become part of our realities. This is an inescapable fact. Their digital technologies have come to underpin many aspects of our lives, our history, and our future. Already, these technologies exert considerable influence upon the institutions and structure of our societies, including those that define our concepts of art and aesthetics, our social interactions, societal and individual remembrance, even how we govern and are governed. Cyberculture’s ubiquity raises questions of our concepts of being and aloneness. Can we experience solitude if we are all connected? Will the natural state of being soon be ‘always on, always connected?’ To remember everything, is it a blessing or a curse? Is the promise of digital ‘immortality’ possible or even desirable? When do we cease mourning, if the dead are memorialized in digital perpetuity? Within this volume is a collection of essays from an international group of scholars, artists, and practitioners who address these and other questions about our future, looking at where we have come in our past.
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<dc:date>2014-01-01T00:00:00Z</dc:date>
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