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dc.contributor.authorBartsch, Max Dymond
dc.date.accessioned2020-03-30T19:58:57Z
dc.date.available2020-03-30T19:58:57Z
dc.date.issued2019-04
dc.identifier.urihttp://hdl.handle.net/11122/10944
dc.descriptionMaster's Project (M.F.A.) University of Alaska Fairbanks, 2019en_US
dc.description.abstract“A Collection of Masses” serves as an introspective look at the visual inspiration and synthesis of a creative childhood, lifestyle, and culture. The writing serves as a personal history, detailing significant artists and works and the ways they served as influences. I was born into a family of artists. I grew up watching my mother paint and lived in a domestic space with art studio pockets throughout it. In our household we always made things and I find my working method most absorbed in that act of creativity and process. My masters thesis body of work revolves around system relationships drawing forms from a variety of systems; the human organ systems, crowd dynamics, and the systems with which artists create their work. It synthesizes ideas begun by artistic influences, and embraces artistic experimentation and creativity.en_US
dc.language.isoen_USen_US
dc.titleA Collection of masses or: weaving a world recalled (a collage of things once seen)en_US
dc.typeMaster's Projecten_US
dc.type.degreemfaen_US
dc.identifier.departmentDepartment of Arten_US
dc.contributor.chairMollett, David
dc.contributor.committeeDuffy, Annie
dc.contributor.committeeJones, Zoë Marie
refterms.dateFOA2020-03-30T19:58:58Z


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