A Collection of masses or: weaving a world recalled (a collage of things once seen)
dc.contributor.author | Bartsch, Max Dymond | |
dc.date.accessioned | 2020-03-30T19:58:57Z | |
dc.date.available | 2020-03-30T19:58:57Z | |
dc.date.issued | 2019-04 | |
dc.identifier.uri | http://hdl.handle.net/11122/10944 | |
dc.description | Master's Project (M.F.A.) University of Alaska Fairbanks, 2019 | en_US |
dc.description.abstract | “A Collection of Masses” serves as an introspective look at the visual inspiration and synthesis of a creative childhood, lifestyle, and culture. The writing serves as a personal history, detailing significant artists and works and the ways they served as influences. I was born into a family of artists. I grew up watching my mother paint and lived in a domestic space with art studio pockets throughout it. In our household we always made things and I find my working method most absorbed in that act of creativity and process. My masters thesis body of work revolves around system relationships drawing forms from a variety of systems; the human organ systems, crowd dynamics, and the systems with which artists create their work. It synthesizes ideas begun by artistic influences, and embraces artistic experimentation and creativity. | en_US |
dc.language.iso | en_US | en_US |
dc.title | A Collection of masses or: weaving a world recalled (a collage of things once seen) | en_US |
dc.type | Master's Project | en_US |
dc.type.degree | mfa | en_US |
dc.identifier.department | Department of Art | en_US |
dc.contributor.chair | Mollett, David | |
dc.contributor.committee | Duffy, Annie | |
dc.contributor.committee | Jones, Zoë Marie | |
refterms.dateFOA | 2020-03-30T19:58:58Z |
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