The visual language of Turkish roman dance

Abstract

Utilizing Peircean semiotics and Dell Hymes' Ethnography of Communication, this research analyzes the dance style known as Roman havasi or, Turkish Roman dance. Elements and influences under consideration include costuming, dance vocabulary, musical instruments and traditions, gender-based stylistic differences, spheres of performance, audience member and participant demographics, and notions of authenticity in embodiment and presentation. An abridged history of the Roman is also presented, including public policies that influence the rights and lifestyle of Turkish Roman, as such factors have influenced their sense of social belonging as well as their dance and musical expressions. Romani people have experienced marginalization wherever they have immigrated, and scholarship regarding them has not always been beneficial. This thesis aims to increase the visibility, recognition, and appreciation of their culture. Research data was collected via participant observation as a Turkish Roman dance student and performer in Anchorage, Alaska, and from structured interviews with instructors and performers. Video footage was also gathered for analysis and was obtained by the author or via public domain websites. This thesis is accompanied by a collection of video clips featuring various elements of Turkish Roman dance referenced herein, and is available as supplemental material.