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dc.contributor.authorOber, Richard Holmes
dc.date.accessioned2013-09-06T18:54:04Z
dc.date.available2013-09-06T18:54:04Z
dc.date.issued1988-09
dc.identifier.urihttp://hdl.handle.net/11122/2190
dc.descriptionThesis (M.F.A.) University of Alaska Fairbanks, 1988
dc.description.abstractThe novella Mute Llama and the short story "The Keeper of Dogs" "both deal with the role that the imagination plays in the articulation of reality through symbols. At its core, this is an issue which involves the very essence of the creation of fictive worlds. In both pieces, the protagonist is engaged in a second-person, internal soliloquy as he is confronted with the startling fluidity of the "real" world of objects. When the objective world is encountered by an active imagination, as it is by each of us every day, the result is a reality that is created, rather than simply observed. The protagonist of each of these pieces comes to this realization and discovers that it produces both existential despair and self-empowerment. In the end, this paradox is central to the understanding of postmodernist art.
dc.description.tableofcontentsThe Keeper of Dogs -- Mute Llama
dc.titleMute Llama
dc.typeThesis
dc.type.degreemfa
dc.identifier.departmentEnglish
dc.contributor.chairSoos, Frank
dc.contributor.committeeBishop, Wendy
dc.contributor.committeePerkins, Leroy
refterms.dateFOA2020-02-26T01:25:24Z


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