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dc.contributor.authorMoser, Dennis
dc.date.accessioned2015-04-22T18:53:05Z
dc.date.available2015-04-22T18:53:05Z
dc.date.issued2013-11
dc.identifier.citationArt Documentation: Journal of the Art Libraries Society of North America, vol. 32 (fall 2013), pp. 186 - 201en_US
dc.identifier.issn0730-7187/2013/3202-0003
dc.identifier.urihttp://hdl.handle.net/11122/5301
dc.description.abstractThe author examines the emerging impact of the works of the “New Aesthetic,” along with other works that have their genesis in the rapid technological changes of the last fifty-plus years. Consideration is given to the history of digital audio/visual works that will eventually be held by repositories of cultural heritage and how this history has, or has not, been documented. These creations have developed out of an environment of networked, shared, re-usable and re-purposed data. The article briefly examines how these works are utilized while looking at the future impact of the growing creation and use of complex, compound multimedia digital re- search and cultural collections as evidenced by augmented and virtual reality environments such as smartphone apps and Second Life.en_US
dc.language.isoen_USen_US
dc.publisherArt Libraries Societies of North Americaen_US
dc.sourceArt Documentation: Journal of the Art Libraries Society of North Americaen_US
dc.subjectNew Media Art, Digital Preservation, New Aestheticen_US
dc.subjectVirtual Reality, Augmented Realityen_US
dc.titleUnderstanding the Impact of the New Aesthetics and New Media Works on Future Curatorial Resource Responsibilities for Research Collectionsen_US
dc.typeJournalen_US
dc.description.peerreviewYesen_US
refterms.dateFOA2020-03-05T10:54:34Z


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  • Moser, Dennis
    Associate Professor of Library Science; Head, Alaska & Polar Regions Collections & Archives

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