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    Discussion and analysis of a graduate recital: an examination of Gary Burton's "Chega De Saudade," Steve Reich's "Marimba Phase," Michael Gordon's "XY," John Cage's "In a Landscape," Minoru Miki's "Time for Marimba," and Milton Babbitt's "Homily"

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    Author
    Hull, Christopher James Edgar
    Chair
    Retterer, Eric
    Committee
    Post, William
    Zilberkant, Eduard
    Keyword
    Burton, Gary
    Chega De Saudade
    Interpretation (Phrasing, dynamics, etc.)
    Reich, Steve
    1936-
    Piano phase
    Cage, John
    In a landscape for piano or harp
    Miki, Minoru
    1930-2011
    Time for Marimba
    Babbitt, Milton
    1916-2011
    Homily
    Percussion music
    Analysis
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    URI
    http://hdl.handle.net/11122/7965
    Abstract
    This paper discusses some of the many facets of percussion music through the examination and analysis of the following works: Gary Burton's Chega De Saudade for solo vibraphone; Steve Reich's Marimba Phase for two marimbas; Michael Gordon's XY for five drums; the author's own arrangement for multiple-percussion setup of John Cage's In a Landscape; Minoru Miki's Time for Marimba for solo marimba; and Milton Babbitt's Homily for solo snare drum. As the repertoire and performance practices of percussion continue to develop, there are many issues of note to the studying percussionist. These range from technical concerns, to issues of interpretation. Each work exemplifies certain of these issues, and this paper seeks to glean better understanding of those through analysis and study of the works.
    Description
    Master's Project (M.Mu.) University of Alaska Fairbanks, 2017
    Date
    2017-05
    Type
    Master's Project
    Collections
    Music

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